There was also a fun bonus level (unlocked by said fortune-telling fish) that was confined to a skate park, which had you pulling trick after trick to reach a certain score in a given time. None are as claustrophobic as those in the Vita games, but some are more constrained and technical, while others sometimes have the camera dynamically zooming out to the point where your character is almost a spec on the screen. What struck me from the ten or so I played was how different they all feel. The final game, from my rough calculations, is likely to have over a hundred crafted levels. Only two of the game’s five areas - Sunshine Valley and Cloverbrook - were available in the demo, and only a fraction of the levels in each were playable. There are other characters to meet along the way, including “Sloshtar the Fortune Telling Fish,” which is as weird as it sounds.
The main cast includes a friendly older man named Dad a very enthusiastic guy called Gnarly Mike, who sets challenges for each level a cameraperson named Suze and, my favorite, Chiffon, a pipe-smoking “Skate Wizard” who acts as a checkpoint in levels when you mess up. You begin being introduced to a colorful group of characters that wouldn’t be out of place in an episode of Adventure Time. The World in OlliOlli is Radland, which is divided into five distinct areas. Perhaps the biggest change, though, is in the tone and structure of the game. “I'm really glad I went away on holiday,” Bennett said.
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“Suddenly, it’s gone from being this refined and contained experience within the skatepark to this weird, branching, insane platformer.” After this code merge, the team didn’t look back, and the result is a genuinely unique game. At the same time the team was building what would become OlliOlli World, another prototype took the form of a “skate tournament” with three paths that looped around on one another.īennett returned from a vacation to discover that the team had merged the code in with the OlliOlli World prototype code. The key is that whatever you’re missing out on is visible from the path you did pick, which encourages you to play through the level again.Īccording to Roll7 co-founder Simon Bennett, the decision to add alternative paths was “the result of a wholly different prototype” for a new OlliOlli game - and a vacation. There always seems to be something interesting to see or do on each, though, whether it’s a character that unlocks a bonus level or a cool-looking trick sequence. From the few levels on offer, the paths tend to offer different styles - maybe one will have lots of wall rides and the other a tricky sequence of grind rails. Wall rides are, surprise, performed with the left analog, while you can switch paths with X. The new mechanics for OlliOlli World are wall riding and the ability to pick between paths. While it’s harder to slam than, say, a Tony Hawk’s game, you will need to land your tricks with perfect timing for the best score. Pointing the analog in one of eight directions does a simple trick or grind, advanced tricks are mapped to Street Fighter-style swoops of the stick and you can spin with the pad’s triggers. On the Xbox pad I used, push was mapped to “A” and tricks were bound to the left thumbstick. OlliOlli World plays largely the same as the original games. (The game is coming to PlayStation, Xbox and Switch as well.) The 30-minute-or-so demo the UK studio sent out was for PC, and played like an extended tutorial with a small selection of levels. Well, other than the Pokémon remakes that are coming to steal my money in November.Īnyway, at E3 2021, or rather, in my apartment because E3 is all digital this year, Roll7 gave me an opportunity to play OlliOlli World, and I found my flow state again. To the point where, just on the strength of that trailer, it became my most anticipated game of the year.
It looked beautiful, and I couldn't wait to jump back in. Then came the trailer for OlliOlli World a couple months back.
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